性别: 男性
Tito Enrique Canepa Jiménez was a leading Dominican painter of the generation that came of age in the 1930s and 1940s. Canepa's artistic identity was shaped in New York City, where he lived from the age of 21, never returning to stay in his native country. Despite this distance, or perhaps because of it, as León David has pointed out, his works always evince a certain dominicanidad without his setting out to achieve it as a goal — a dominicanidad that is never folkloric. Of the three modernist Dominican painters of the 1930s and 40s singled out by Rafael Díaz Niese as most significant — Canepa, Colson and Suro — Canepa is the one whose artistic activity developed in the most continuous absence from his native country, and the one longest resident in New York. Cánepa is accented in Spanish but not in the original Ligurian.
Source: Wikipedia | Last updated on April 24, 2024
关于这个名字 Tito Canepa, Tito 意思是 Of the Giants.
The name Tito Canepa 是 often used as a 男性 名字 and is mostly used as a 名字.
Tito 是 通常 发现于 Egypt, United States of America, Peru, 和 89 更多国家.
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在 NamesLook 上，名字 Tito 在全球范围内被记录了 51,011 次，排名第 1,295 的最常见名字。
Tito 在 Egypt 最为普遍，共有 13,276 次记录，成为该国第 428 受欢迎的名字。
在 Egypt，名字 Tito 每 173 人中有 1 人，显示其最高的频率。
| 国家 | 排名 | 频率 |
|---|---|---|
| Egypt | #428 | 1 : 173 |
| United States of America | #917 | 1 : 359 |
| Peru | #369 | 1 : 282 |
| Italy | #924 | 1 : 395 |
| Algeria | #507 | 1 : 469 |
| Colombia | #755 | 1 : 455 |
| Spain | #580 | 1 : 271 |
| Mexico | #808 | 1 : 431 |
| Chile | #466 | 1 : 301 |
| Bolivia | #299 | 1 : 203 |
此图显示了名字 Tito 从1980年到2022年的排名，基于美国社会保障局的最新数据。
Tito Enrique Canepa Jiménez was a leading Dominican painter of the generation that came of age in the 1930s and 1940s. Canepa's artistic identity was shaped in New York City, where he lived from the age of 21, never returning to stay in his native country. Despite this distance, or perhaps because of it, as León David has pointed out, his works always evince a certain dominicanidad without his setting out to achieve it as a goal — a dominicanidad that is never folkloric. Of the three modernist Dominican painters of the 1930s and 40s singled out by Rafael Díaz Niese as most significant — Canepa, Colson and Suro — Canepa is the one whose artistic activity developed in the most continuous absence from his native country, and the one longest resident in New York. Cánepa is accented in Spanish but not in the original Ligurian.
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