性别: 女性
Lisa Lapinski is an American visual artist who creates dense, formally complex sculptures which utilize both the language of traditional craft and advanced semiotics. Her uncanny objects interrogate the production of desire and the exchange of meaning in an image-based society. Discussing a group show in 2007, New York Times Art Writer Holland Cotter noted, "An installation by Lisa Lapinski carries a hefty theory- studies title: 'Christmas Tea-Meeting, Presented by Dialogue and Humanism, Formerly Dialectics and Humanism.' But the piece itself just looks breezily enigmatic." It is often remarked that viewers of Lapinski's sculptures are enticed into an elaborate set of ritualistic decodings. In a review of her work published in ArtForum, Michael Ned Holte noted, "At such moments, it becomes clear that Lapinski's entire systemic logic is less circular than accumulative: What at first seems hermetically sealed is often surprisingly generous upon sustained investigation." Lapinski's work has been exhibited widely in the US and Europe, and she was included in the 2006 Whitney Biennial.
Source: Wikipedia | Last updated on April 25, 2024
关于这个名字 Lisa Lapinski, Lisa 意思是 Consecrated to God, Oath of God, My God is Bountiful, God's Promise, God is My Oath.
The name Lisa Lapinski 是 often used as a 女性 名字 and is mostly used as a 名字.
Lisa 是 通常 发现于 United States of America, United Kingdom, Italy, 和 97 更多国家.
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在 NamesLook 上,名字 Lisa 在全球范围内被记录了 253,667 次,排名第 153 的最常见名字。
Lisa 在 United States of America 最为普遍,共有 76,771 次记录,成为该国第 26 受欢迎的名字。
在 United Kingdom,名字 Lisa 每 12 人中有 1 人,显示其最高的频率。
国家 | 排名 | 频率 |
---|---|---|
United States of America | #26 | 1 : 24 |
United Kingdom | #25 | 1 : 12 |
Italy | #204 | 1 : 39 |
France | #207 | 1 : 74 |
Germany | #57 | 1 : 23 |
Netherlands | #79 | 1 : 42 |
Canada | #23 | 1 : 42 |
South Africa | #290 | 1 : 393 |
Ireland | #30 | 1 : 16 |
Austria | #41 | 1 : 22 |
此图显示了名字 Lisa 从1980年到2022年的排名,基于美国社会保障局的最新数据。
Lisa Lapinski is an American visual artist who creates dense, formally complex sculptures which utilize both the language of traditional craft and advanced semiotics. Her uncanny objects interrogate the production of desire and the exchange of meaning in an image-based society. Discussing a group show in 2007, New York Times Art Writer Holland Cotter noted, "An installation by Lisa Lapinski carries a hefty theory- studies title: 'Christmas Tea-Meeting, Presented by Dialogue and Humanism, Formerly Dialectics and Humanism.' But the piece itself just looks breezily enigmatic." It is often remarked that viewers of Lapinski's sculptures are enticed into an elaborate set of ritualistic decodings. In a review of her work published in ArtForum, Michael Ned Holte noted, "At such moments, it becomes clear that Lapinski's entire systemic logic is less circular than accumulative: What at first seems hermetically sealed is often surprisingly generous upon sustained investigation." Lapinski's work has been exhibited widely in the US and Europe, and she was included in the 2006 Whitney Biennial.
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