性别: 女性
Heide Fasnacht is a New York City-based artist who works in sculpture, drawing, painting and installation art. Her work explores states of flux, instability and transformation caused by human action and natural events. Since the mid-1990s, she has been known for sculptures and drawings that recreate momentary phenomena such as sneezes, geysers and demolitions—in sometimes abstract or cartoony form—that are temporally and spatially "frozen" for consideration of their aesthetic, perceptual, social or sensate qualities. In the late 2010s, she has expanded these themes in paintings that examine lost and neglected childhood sites, such as playgrounds and amusement parks. ARTnews critic Ken Shulman has described her work as "chart[ing] the fluid dialogue between second and third dimensions, motion and inertia, creation and ruin."
Source: Wikipedia | Last updated on April 23, 2024
关于这个名字 Heide Fasnacht, Heide 意思是 Little Miss, Abbreviation of Adelheid.
The name Heide Fasnacht 是 often used as a 女性 名字 and is mostly used as a 名字.
Heide 是 通常 发现于 Germany, United States of America, Austria, 和 54 更多国家.
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在 NamesLook 上，名字 Heide 在全球范围内被记录了 1,539 次，排名第 24,837 的最常见名字。
Heide 在 Germany 最为普遍，共有 635 次记录，成为该国第 1,069 受欢迎的名字。
在 Germany，名字 Heide 每 577 人中有 1 人，显示其最高的频率。
| 国家 | 排名 | 频率 |
|---|---|---|
| Germany | #1,069 | 1 : 577 |
| United States of America | #8,696 | 1 : 7,414 |
| Austria | #965 | 1 : 833 |
| South Africa | #17,507 | 1 : 43,424 |
| Brazil | #9,776 | 1 : 17,645 |
| Italy | #24,714 | 1 : 36,954 |
| Philippines | #2,939 | 1 : 7,587 |
| Belgium | #7,766 | 1 : 11,107 |
| United Kingdom | #17,642 | 1 : 23,835 |
| United Arab Emirates | #23,984 | 1 : 47,387 |
此图显示了名字 Heide 从1980年到2022年的排名，基于美国社会保障局的最新数据。
Heide Fasnacht is a New York City-based artist who works in sculpture, drawing, painting and installation art. Her work explores states of flux, instability and transformation caused by human action and natural events. Since the mid-1990s, she has been known for sculptures and drawings that recreate momentary phenomena such as sneezes, geysers and demolitions—in sometimes abstract or cartoony form—that are temporally and spatially "frozen" for consideration of their aesthetic, perceptual, social or sensate qualities. In the late 2010s, she has expanded these themes in paintings that examine lost and neglected childhood sites, such as playgrounds and amusement parks. ARTnews critic Ken Shulman has described her work as "chart[ing] the fluid dialogue between second and third dimensions, motion and inertia, creation and ruin."
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