性别: 女性
Arlene Shechet is an American sculptor known for her inventive, gravity-defying arrangements and experimental use of diverse materials. Critics describe her work as both technical and intuitive, hybrid and polymorphous, freely mixing surfaces, finishes, styles and references to create visual paradoxes. Her abstract-figurative forms often function as metaphors for bodily experience and the human condition, touching upon imperfection and uncertainty with humor and pathos. New York Times critic Holland Cotter wrote that her career "has encompassed both more or less traditional ceramic pots and wildly experimental abstract forms: amoebalike, intestinal, spiky, sexual, historically referential and often displayed on fantastically inventive pedestals … this is some of the most imaginative American sculpture of the past 20 years."
Source: Wikipedia | Last updated on April 26, 2024
关于这个名字 Arlene Shechet, Arlene 意思是 Pledge, Oath.
The name Arlene Shechet 是 often used as a 女性 名字 and is mostly used as a 名字.
Arlene 是 通常 发现于 United States of America, United Kingdom, Saudi Arabia, 和 76 更多国家.
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在 NamesLook 上，名字 Arlene 在全球范围内被记录了 15,649 次，排名第 3,914 的最常见名字。
Arlene 在 United States of America 最为普遍，共有 6,021 次记录，成为该国第 814 受欢迎的名字。
在 Philippines，名字 Arlene 每 271 人中有 1 人，显示其最高的频率。
| 国家 | 排名 | 频率 |
|---|---|---|
| United States of America | #814 | 1 : 300 |
| United Kingdom | #1,137 | 1 : 539 |
| Saudi Arabia | #2,986 | 1 : 2,933 |
| Philippines | #61 | 1 : 271 |
| South Africa | #2,502 | 1 : 3,230 |
| Canada | #768 | 1 : 496 |
| Brazil | #1,492 | 1 : 1,362 |
| Kuwait | #693 | 1 : 1,116 |
| United Arab Emirates | #1,756 | 1 : 2,231 |
| Italy | #4,215 | 1 : 3,359 |
此图显示了名字 Arlene 从1980年到2022年的排名，基于美国社会保障局的最新数据。
Arlene Shechet is an American sculptor known for her inventive, gravity-defying arrangements and experimental use of diverse materials. Critics describe her work as both technical and intuitive, hybrid and polymorphous, freely mixing surfaces, finishes, styles and references to create visual paradoxes. Her abstract-figurative forms often function as metaphors for bodily experience and the human condition, touching upon imperfection and uncertainty with humor and pathos. New York Times critic Holland Cotter wrote that her career "has encompassed both more or less traditional ceramic pots and wildly experimental abstract forms: amoebalike, intestinal, spiky, sexual, historically referential and often displayed on fantastically inventive pedestals … this is some of the most imaginative American sculpture of the past 20 years."
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